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But it’s a powerful reminder that it’s worth trying.Disclaimer: This article contains affiliate links.
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Which is both the challenge and the triumph of the film: it’s not a movie that claims, Hollywood ending and all, that the love of a parent is enough to save a sick kid. And even I, after many years clean and sober, never know exactly what to say about it. So of course it’s hard to talk about: because when you talk about addiction, there are, maddeningly, no satisfying answers. But this is just scene after scene where we tried to do it as diligently as possible.” He’s trying to get at something important here: the lack of resolution, the fragility of recovery, the impossibility of fixing it. “Or something that ends with a flourish-a montage of hope or something. “People are bracing for a really difficult ending,” Chalamet says. “But when you get the question, ‘Why should people see this film?’ How do you even respond to that? Because it’s compelling and emotionally resonant?” “Clearly it’s important to us, or else we wouldn’t have done it,” Carell says. “There’s a misconception that addicts are using with a great amount of euphoria,” Chalamet says, “when in reality, they’re just keeping up a feeling, or avoiding reality.”īut we keep circling back to this same point: how hard it is to talk about this movie and the things in it, this movie that does such a fine job at showing how addiction shatters families it almost spooks you into reverent silence. “Opiates have become the drug of choice, as opposed to drugs in the ’60s like LSD that amplified your surroundings-these are drugs that will numb you regardless of how terrible your environment is, and you’re guaranteed the same feeling each time.” Disappearing into this role was edifying, he says-it helped him see drug use as a process of seeking relief more than getting high. He’s unhappy with the way drug use has become, as he puts it, “masochistically glorified” in popular culture: “Young people have such disillusionment with our post-post-post-industrial world, where student debt is crazy and job opportunities are less afforded to people,” he says. Growing up in New York City, he says, he had a lot of friends struggling with addiction and pursuing recovery when they were, like Nic, still young. It’s a moment familiar to any parent, but especially harrowing to one dealing with forces as strong as the tide.Ĭhalamet connected to the themes of the movie too. In the film, there’s a scene where David and Nic go surfing together Nic dips under a wave, and for a moment, David thinks his son is gone.
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“David was mourning his son while his son was still alive.” (The real Nic is now sober and a successful TV writer and producer he worked on the Netflix series 13 Reasons Why.) “To experience them spiraling out of control with absolutely no recourse…” He trails off.
“Being a dad, there’s an inherent worry you have as soon as you have kids that never goes away,” Carell says. As a parent, he says, he could imagine the horror, rendered so vividly on film, of feeling like you’re losing your child in real time. “For us, that’s a hope for the movie: that it starts a conversation to see it not as a taboo.”Ĭarell gets that. “We talk about drug abuse as a moral failing,” Chalamet says.
Yet, though you’re hard-pressed to find someone whose life hasn’t been impacted by it in some way, addiction remains misunderstood, sensitive and cloaked in secrecy-which is part of what drew both actors to the material. As the doctor lays out the facts about how drugs affect the brain, it becomes clear that he’s not really offering options for treatment-he’s breaking the news to a father that his son’s chances at recovery aren’t high. In one of Beautiful Boy’s most affecting scenes, David goes to see an addiction specialist (Timothy Hutton) to ask him for advice. From 2010 to 2015, the number of drug-overdose deaths involving psychostimulants such as methamphetamine, a drug the real Nic used along with opiates like heroin, more than doubled. Addiction is very real to legions of people: approximately 20 million Americans meet the criteria for a substance-use disorder, and an estimated 72,000 Americans died from drug overdoses in 2017, a twofold increase in a decade as the opioid epidemic worsened.
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